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A Study in Scarlet by Arthur Conan Doyle

By Arthur Conan Doyle

In 1887, a tender Arthur Conan Doyle released A research in Scarlet, developing a world icon within the quick-witted sleuth Sherlock Holmes. during this first actual Holmes secret, the detective introduces himself to Dr. John H. Watson with the difficult line “You were in Afghanistan, I perceive,” and so starts Watson’s, and the world’s, fascination with this enigmatic personality. In A research in Scarlet, Doyle provides both difficult mysteries for Holmes to unravel: one a homicide that happens within the shadowy outskirts of London, in a locked room the place the haunting observe Rache is written upon the wall, the opposite a kidnapping set within the American West. making a choice on up the “scarlet thread of homicide operating in the course of the colourless skein of life,” Holmes demonstrates his uncanny knack for locating the reality, tapping into powers of deduction that also captivate readers today.

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If you can't get well, die. 15 The two brothers, however, also had trouble being as generoushearted to their dying mother as they would have wished. James had to refuse her request that he take communion (//129), and Stanislaus's rejection of Catholicism had become even more violent than his older brother's. When Mrs Joyce's brother John knelt at her deathbed As All of Dublin: The Years of Youth, 1882-1904 17 in her last moments, while she was unconscious and therefore un­ aware, he saw that her sons were not praying and gestured for them to kneel down.

11 Such temerity aside, in fact Dubliners had earlier had its origin in a suggestion by Russell that Joyce write a 'simple' story for the Irish Homestead. 'It is easily earned money', he assured him, 'if you can write fluently and don't mind playing to the common understand­ ing and liking for once in a way. You can sign any name you like as a pseudonym' (//163); when The Sisters' was published 13 August 1904, Joyce signed it 'Stephen Daedalus'. Surprisingly, he was able to publish two other stories - 'Eveline' and 'After the Race' - in this journal with a largely rural audience, until complaints from readers forced the editor to stop accepting Joyce's work (// 165).

In 1909 he confessed to Padraic Colum, 'I am not a poet'. In retrospect Colum remarks that the poems 'seem to come out of a young musician's rather than a young poet's world' (Colum 55), just as Joyce had come to feel that the collection was 'a young man's book' (he was all of twenty-five when he made that comment in 1907), although 'some of them are pretty enough to be put to music' (LII 219). So it is not surprising that Stanislaus's original suggestion that the volume be called Chamber Music was accepted (Diary 28).

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